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Malynka Nikolay : ウィキペディア英語版
Malynka Nikolay

Nikolay Malinka (Ukrainian: Микола Малинка; February 16, 1913 – December 14, 1993) was a Ukrainian painter, creative artist, and sculptor. He was among those who studied and worked in the Soviet Union where Socialist Realism became a state policy, but is often considered a representative of Ukrainian impressionism as well. Focused on the dramatic depictions of Soviet and Ukrainian history, Nikolay Malinka produced canvases of Ukrainian Cossack’s quest for peace and freedom, portrayed prominent personalities of the past and present day, composed a brief history of his homeland - Yahotyn county of Kyiv Region. Later, when Gorbachev’s glasnost’ effectively ended state censorship, he began to reveal on the canvas Ukrainian national tragedies, such as the forcible collectivization and the Great Famine (Holodomor) of 1933, which took millions of Ukrainian lives.
== Early life ==

Nikolay Malinka was born in small village, Lisniaky, and spent his childhood side by side with picturesque beauty of historical Poltava Governorate (Guberniia) of Dnieper Ukraine (with time, Lisniaky became a part of the county-seat Yahotyn of Kyiv Region).
No sooner out of the cradle, the boy started to paint his surroundings. It seemed nobody took seriously a young talent except a local artist and photographer L. Briummer, who persistently advised him to take professional courses. Instead, under parental pressure, Nikolay Malinka entered, in 1929, the horticultural school but soon dropped out. Then, he became a student of the book department of the Kharkiv cooperative technical college.
The city was a significant cultural center of Soviet Ukraine. The young man read a lot, visited museums and exhibitions, met prominent people and gradually came to a final decision to become an artist.
In the fall of 1933, he enrolled in Kyiv Art Institute where he had been studying fine art and graphics for several years. In the middle of his studies he was drafted into the army and served in the unit located in Moscow. Being always on the lookout of a new possibility to continue education, Nikolay Malinka very soon became a student of the fine art studio that is now the internationally renowned Moscow’s Grekov Studio of Battle-Scene Artists. His training was led by the talented masters of Soviet war art whose idea was to promote the Red Army heroic past by a new cohort of artists.
Among them were Khrystophor Ushenin, Vasyl’ Swarog, Yevhen Katsman, Oleksander Herasymov.
By the end of 1939, Soviet mainstream newspaper “Pravda” (“The Truth”) recognized Nikolay Malinka as one of the best students who had good understanding of the color palette and composition. ()
His education was supplemented with Grekov Studio’s team expeditions to the Caucasian Region of the country which resulted in several artworks of the socialist realism style. Thus, the gallery of the future artist was started (and overtime increased in size), and first recognition soon followed: Caucasian theme canvases by Nikolay Malynka were exhibited at the Central House of the Soviet Army and honored with the certificate of the heroic deed (gramota) of the Moscow Military District.

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